Albert Whitlock’s matte painting for the end of The Birds was combined with optically composited birds and live action shots of the pier.  In contrast to most of the film’s dark skies, the blue skies painted here offer a sign of hope.  Matte paintings were used before the arrival of today’s digital tools to create backgrounds for live action and special effects where none existed or where a director wanted to alter the landscape.

  1. mpolluxork reblogged this from universal100
  2. daemondamian reblogged this from prettythingsonfire
  3. roundermask reblogged this from prettythingsonfire
  4. prettythingsonfire reblogged this from homospiritualis
  5. homospiritualis reblogged this from sovietmontage
  6. sovietmontage reblogged this from thelonelycinephile
  7. thelonelycinephile reblogged this from universal100
  8. omgitsgill reblogged this from universal100
  9. thelastwordinstolentelling reblogged this from universal100
  10. pappagiorgio reblogged this from universal100
  11. abatida reblogged this from bumcastle
  12. bumcastle reblogged this from universal100
  13. tristanybaker reblogged this from universal100
  14. manohmanyouremybestfriendd reblogged this from universal100
  15. acrystalinesong reblogged this from universal100
  16. and-somewhere-over-the-rainbow reblogged this from universal100
  17. sandyb813 reblogged this from universal100
  18. iamdiluted reblogged this from universal100
  19. codyshuttleworth reblogged this from universal100 and added:
    I love how Alfred Hitchcock’s...called Albert Whitlock
  20. stardust1978 reblogged this from airraidsiren
  21. airraidsiren reblogged this from universal100
  22. rebelwithoutacamera reblogged this from universal100
  23. idpr reblogged this from universal100
  24. universal100 posted this